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''The Milkmaid'' (Dutch: ''De Melkmeid'' or ''Het Melkmeisje''), sometimes called ''The Kitchen Maid'', is an oil-on-canvas painting of a "milkmaid", in fact a domestic kitchen maid, by the Dutch artist Johannes Vermeer. It is now in the Rijksmuseum in Amsterdam, Netherlands, which regards it as "unquestionably one of the museum's finest attractions".〔(【引用サイトリンク】url=https://www.rijksmuseum.nl/en/collection/SK-A-2344 )〕 The exact year of the painting's completion is unknown, with estimates varying by source. The Rijksmuseum estimates it as circa 1658. According to the Metropolitan Museum of Art in New York City, it was painted in about 1657 or 1658.〔(【引用サイトリンク】url=http://www.metmuseum.org/exhibitions/listings/2009/vermeer )〕 The "Essential Vermeer" website gives a broader range of 1658–1661.〔(【引用サイトリンク】url=http://www.essentialvermeer.com/catalogue/milkmaid.html )〕 == Descriptions and commentary == Despite its traditional title, the picture clearly shows a kitchen or housemaid, a low-ranking indoor servant, rather than a milkmaid who actually milks the cow,〔 in a plain room carefully pouring milk into a squat earthenware container (now commonly known as a "Dutch oven") on a table. Also on the table are various types of bread. She is a young, sturdily built woman wearing a crisp linen cap, a blue apron and work sleeves pushed up from thick forearms. A foot warmer is on the floor behind her, near Delft wall tiles depicting Cupid (to the viewer's left) and a figure with a pole (to the right). Intense light streams from the window on the left side of the canvas. The painting is strikingly illusionistic, conveying not just details but a sense of the weight of the woman and the table. "The light, though bright, doesn't wash out the rough texture of the bread crusts or flatten the volumes of the maid's thick waist and rounded shoulders", wrote Karen Rosenberg, an art critic for ''The New York Times''. Yet with half of the woman's face in shadow, it is "impossible to tell whether her downcast eyes and pursed lips express wistfulness or concentration," she wrote.〔 "It's a little bit of a ''Mona Lisa'' effect" in modern viewers' reactions to the painting, according to Walter Liedtke, curator of the department of European paintings at The Metropolitan Museum of Art, and organizer of two Vermeer exhibits. "There's a bit of mystery about her for modern audiences. She is going about her daily task, faintly smiling. And our reaction is 'What is she thinking?'" 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Milkmaid (Vermeer)」の詳細全文を読む スポンサード リンク
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